Taylor Swift’s vast musical catalog has something for just about everyone, from fans of bops (Alexa, play 1989) to those who enjoy incredibly heart-wrenching lyrics (See: Folklore, Evermore). Each time Swift releases an album, fans know we’re in for a rollercoaster ride of powerful emotion, strong storytelling and revealing personal narrative.
On top of new album drops, Swifties now also look forward to, which include never-before-released “From the Vault” songs. (You can read about .) On Friday, Swift dropped her latest rerecorded album, Red (Taylor’s Version), which not only includes the long-awaited extended version of fan favorite track All Too Well, but also a handful of other From the Vault songs that pull at our heartstrings.
Here are some of my all-time favorite lyrics Swift has written. This of course doesn’t include every great line she’s ever penned. Rather, these are lyrics I’ve often reflected on and discussed with fellow fans, and found deep personal meaning in.
“You can plan for a change in the weather and time, but I never planned on you changing your mind.” (Last Kiss)
— A poetic way of describing unforeseen heartbreak.
“You call me up again just to break me like a promise, so casually cruel in the name of being honest.” (All Too Well)
— I could quote this entire song because it’s a lyrical masterpiece. But I’m trying to be selective.
“You kept me like a secret, but I kept you like an oath.” (All Too Well, 10 Minute Version)
— This line succinctly illustrates the very different way two people can view the same relationship: One as something sacred and cherished, the other as something to keep hidden and downplay. That distinction can make all the difference.
“You taught me about your past thinking your future was me.” (All Too Well)
— OK sorry, I couldn’t help it — one more from All Too Well. This is one of my all-time favorite lyrics. In just a few words, it sums up the fallen dreams of doomed love.
“I was so ahead of the curve, the curve became a sphere. Fell behind all my classmates and I ended up here.” (This is Me Trying)
— To me, these lyrics perfectly describe the restlessness of COVID-19 lockdowns. It can be challenging to feel like you’re not able to do what you need to get ahead and stay ahead. (Swift seems to be doing just fine, though. I think releasing two surprise albums in a year proves that.)
“You come away with a great little story of a mess of a dreamer with the nerve to adore you.” (Cold As You)
— From the earliest days of her career, Miss Swift knew how to nail a tearjerker.
“Criticize the way you fly when you’re soaring through the sky, shoot you down and then they sigh and say, “She looks like she’s been through it.” (Nothing New)
— This From the Vault track from Red is a chilling look into the anxiety Swift felt at this point in her career, and feels like an ominous foreshadowing of the media target she’d truly become in the coming years.
“I rewind thе tape but all it does is pause on thе very moment all was lost.” (Evermore)
— It can be difficult to overcome the moment everything fell apart and we find ourselves replaying that pain over and over, rather than seeing the bigger picture and the light at the end of the tunnel.
“If I’m dead to you why are you at the wake, cursing my name, wishing I stayed?” (My Tears Ricochet)
— Chilling, haunting lyrics. It’s what Swift does best.
“There’ll be happiness after you, but there was happiness because of you. Both of these things can be true.” (Happiness)
— A truly accurate characterization of both the optimism and struggle of getting over someone.
“Wasn’t it beautiful running wild ’til you fell asleep, before the monsters caught up to you?” (Innocent)
— A tragic ode to innocence and youth.
“Who could ever leave me, darling, but who could stay?” (Archer)
— Swift poignantly depicts the dichotomy between feeling worthy of love and questioning that very right.
“You had a speech, you’re speechless. Love slipped beyond your reaches.” (Champagne Problems)
— Oh, how quickly things can change and render our dreams useless.
“You’re not my homeland anymore, so what am I defending now?” (Exile)
— Cold, sharp lyrics to convey the struggle of coping with detrimental loss.
“I guess it’s true that love was all you wanted, ’cause you’re giving it away like it’s extra change. Hoping it will end up in his pocket, but he leaves you out like a penny in the rain, oh, ’cause it’s not his price to pay.” (Tied Together With a Smile)
— Symbolism is something Swift has always done quite well.
“I don’t like that falling feels like flying ’til the bone crush.” (Gold Rush)
— How does one come up with a line this poetic?
“Just because you’re clean don’t mean you don’t miss it.” (Clean)
— Truer words on lost love have never been spoken.
“Time is taking its sweet time erasing you, and you’ve got your demons and darling, they all look like me.” (Sad Beautiful Tragic)
— Moving on and forgetting isn’t always easy.
“Take the words for what they are: a dwindling, mercurial high; a drug that only worked the first few hundred times.” (Illicit Affairs)
— Ah, the fleeting, deceptive nature of ephemeral love.
“It turns out freedom ain’t nothin’ but missing you.” (Back to December)
— This is a deep, personal admission of making a grave mistake, which is never easy to own up to.
“If I can’t relate to you anymore, then who am I related to?” (Coney Island)
— It can be all too easy to become so consumed in a relationship that you feel lost when it ends.
“Please don’t ever become a stranger whose laugh I could recognize anywhere.” (New Year’s Day)
— This level of specificity is a vivid illustration of just how much she fears losing the love of her life.
“I hate to make this all about me, but who am I supposed to talk to? What am I supposed to do if there’s no you?” (Soon You’ll Get Better)
— There’s a reason this song gets Swift choked up.
“Only 20 minutes to sleep, but you dream of some epiphany.” (Epiphany)
— This song, a moving tribute to health care workers during the pandemic, never fails to give me goosebumps.
“The old widow goes to the stone every day. But I don’t, I just sit here and wait, grieving for the living.” (Ivy)
— Loss comes in all forms.
Love’s a game, wanna play?
“‘Cause you know I love the players and you love the game.” (Blank Space)
— It takes two to tango.
“You paint me a blue sky and go back and turn it to rain. And I lived in your chess game, but you changed the rules every day.” (Dear John)
— Swift always does an incredible job of conveying the game-like nature of love. These lyrics are particularly heart-rending.
“You did a number on me, but honestly, baby, who’s counting?” (So it Goes…)
— I love when she gets all poetic like this.
“We never painted by the numbers, baby, but we were making it count.” (The 1)
— Another fun instance of word play.
“It’s poker, you can’t see it in my face, but I’m about to play my ace.” (New Romantics)
— Brilliantly clever.
“We are alone with our changing minds, we fall in love ’til it hurts or bleeds or fades in time.” (State of Grace)
— That’s pretty much how it goes.
“I love you, ain’t that the worst thing you ever heard?” (Cruel Summer)
— This epic track is filled with punchy lyrics, but this one takes the cake.
“Spinning like a girl in a brand new dress, we had this big wide city all to ourselves. We blocked the noise with the sound of, ‘I need you,’ And for the first time I had something to lose.” (Holy Ground)
— The underlying fear of impending loss here is so tragically brilliant.
“Love is a ruthless game unless you play it good and right.” (State of Grace)
— Another solid example of relating love to a game.
“I walked out, I said, I’m setting you free. But the monsters turned out to be just trees.” (Out of the Woods)
— The illusion of fear is a tricky one to overcome.
“Fighting with a true love is boxing with no gloves, chemistry ’til it blows up, ’til there’s no us.” (Afterglow)
— Here, Swift paints a clear picture of the fact that hurting someone you love will harm both parties.
“You drew stars around my scars, but now I’m bleeding.” (Cardigan)
— Healing isn’t always permanent.
“So you were never a saint and I’ve loved in shades of wrong. We learn to live with the pain, mosaic broken hearts.” (State of Grace)
— Love isn’t always picturesque, but it can still be beautiful. (Yes, I realize I’ve now quoted State of Grace three times but I can’t help it.)
“Remember when I pulled up and said, ‘Get in the car,’ and then canceled my plans just in case you’d call, back when I was living for the hope of it all.” (August)
— Many of us felt personally attacked by these lyrics about holding onto love that was never really ours.
“Life was a willow and it bent right to your wind, but I come back stronger than a ’90s trend.” (Willow)
— Taylor Swift: queen of the punchy metaphor.
“I’m a mess, but I’m the mess that you wanted.” (Dancing With Our Hands Tied)
— This is what you signed up for.
Haters gonna hate
“If a man talks shit then I owe him nothing.” (I Did Something Bad)
“I could build a castle out of all the bricks they threw at me.” (New Romantics)
— And they’ve thrown a lot of bricks.
“My castle crumbled overnight, I brought a knife to a gun fight, they took the crown but it’s alright.” (Call it What You Want)
— That castle she mentioned in New Romantics apparently wasn’t built to last. But she has what she needs in the love of her life, no matter what everyone else is saying about her or doing, and that’s true strength.
“I bury hatchets but I keep maps of where I put ’em.” (End Game)
— Forgive, but don’t forget.
“Band-aids don’t fix bullet holes.” (Bad Blood)
— Keep your fake apologies.
“Boys will be boys, then where are the wise men?” (Miss Americana & the Heartbreak Prince)
— I wish I knew.
“I had a marvelous time ruining everything.” (The Last Great American Dynasty)
— There’s a high likelihood you’ve either made this your Instagram caption or thought about it.
“I’m so sick of running as fast as I can, wondering if I’d get there quicker if I was a man.” (The Man)
— Same girl, same.
“I bet you couldn’t believe when you realized I’m harder to forget than I was to leave.” (I Bet You Think About Me)
— Through the pain, Swift penned this song with all the right levels of sass.
“A red rose grew up out of ice frozen ground, with no one around to tweet it.” (The Lakes)
— This is such vibrant imagery of regrowth following hostility, away from prying eyes and skeptics.
“Never be so politе you forget your power. Nevеr wield such power you forget to be polite.” (Marjorie)
— These are words to live by.
“Your nemeses will defeat themselves before you get the chance to swing.” (Long Story Short)
— Don’t get too caught up in the little things.
“Nothing safe is worth the drive.” (Treacherous)
“When you’re young, you just run, but you come back to what you need.” (This Love)
— Finding truth and purpose is everything, and it’ll all come in time.
“Time, mystical time, cutting me open, then healing me fine.” (Invisible String)
— Time really does heal all wounds, even the deepest ones. A grown-up Swift now knows that.
“Now I know why all the trees change in the fall, I know you were on my side even when I was wrong.” (The Best Day)
— This line (and entire song, which is a heartwarming tribute to her mom) always makes me cry. It’s a touching description of unconditional love.
“Don’t you worry your pretty little mind, people throw rocks at things that shine.” (Ours)
— Always deflecting the haters in the most poetic way.
Now I see daylight
“I don’t wanna look at anything else now that I saw you. I don’t wanna think of anything else now that I thought of you.” (Daylight)
— That feeling of finding what you’ve been looking for is everything.
“All these people think love’s for show, but I would die for you in secret.” (Peace)
— A nod to the critics who say her relationships are simply for publicity, and an intimate declaration of genuine love.
“We bless the rains on Cornelia Street, memorize the creaks in the floor.” (Cornelia Street)
— Beautiful detail is Swift’s forte. This track is filled with them.
“All my walls stood tall, painted blue, but I’ll take ’em down, take ’em down, and open up the door for you.” (Everything Has Changed)
— This vibrantly depicts the beauty and struggle of letting your guard down.
“I’m only up when you’re not down, don’t wanna fly if you’re still on the ground.” (I’m Only Me When I’m With You)
— The truest allegiance.
“My heart’s been borrowed and yours has been blue, all’s well that ends well to end up with you.” (Lover)
— Pure poetry.
“Is this the end of all the endings?” (King of My Heart)
— Finally, an optimistic outlook on a relationship that appears to be going well.
“He’s got my past frozen behind glass, but I’ve got me.” (It’s Time to Go)
— The future is in no one’s hands but her own.