Finch takes us to the end of the world… again. But this familiar trek across the post-apocalypse onhas two unique selling points: Tom Hanks and robots.
Originally titled BIOS, Finch was meant to come out in late 2020. Bought up by Apple and retitled to a less ambiguously pronounced name, Finch streams on Apple TV Plus this Friday, Nov. 5.
The film opens with a familiar setup. The world has ended and an apparently lone survivor (the titular Finch, played by Hanks) loots a store, tags it with a spray can and heads back to his base where we see the hardscrabble life he’s carved for himself. It’s something you’ve seen before in every post-apocalypse drama from I Am legend toto Wall-E.
The film takes on something of its own texture when Hanks jumps into a giant dump truck and storms down the street crunching cars, although that gleefully muscular tone doesn’t last. Soft-voiced, shambling and gray-whiskered, Hanks is in Cast Away mode as a mild engineer keeping himself busy with a library of books in a secure silo.
Helmed by Emmy-winning Game of Thrones director Miguel Sapochnik, Finch is a visual treat thanks to a combination of sweeping vistas and clever CGI effects. But it’s also a pretty intimate tale that would feel more at home on the streaming screen even if pandemic disruption hadn’t pushed it out of a prospective theater release.
When a super-storm threatens Finch’s modest underground life, however, the film fires up its second selling point. Comparisons with Wall-E don’t just come from its setting in the blasted landscape of a ruined Earth. No, Finch also has cute droids Hanks builds to help navigate life in this solar-flare-ravaged world. These creations culminate in a human-shaped bot named Jeff, designed to join Hanks on a last-ditch road trip.
The spindly, jerky robot has an orange dome for a face but bags of personality. An impressive digital creation, Jeff is brought to life in a motion capture performance by Caleb Landry Jones, an actor best known for playing oddball characters in films such as Get Out and Three Billboards Outside Ebbing Missouri. Jones’ performance and the magic of the visual effects team invests Jeff with a charmingly goofy disposition, making an engaging slapstick sidekick for Hanks doing his grumpy but avuncular bit. Jeff is up there with other personality-infused robots in similar films like Netflix’s gripping thriller I Am Mother or melancholy ’70s sci-fi classic Silent Running (referenced here in the name of one of Hanks’ robots).
With a dog and a childlike robot piling into a 1984 Fleetwood RV Southwind recreational vehicle, the film hits the road with a freewheelin’ almost indie-comedy-drama sensibility. There’s an inherent danger in the situation, but the film downplays the menace. The hostile environment is reminiscent ofbut with no zombies or mutant biker gangs in pursuit, Finch often feels more like Little Miss Sunshine meets Short Circuit.
It also begins with Hanks crooning American Pie and actually drops Road to Nowhere by Talking Heads when the characters are, wait for it, on the road. At its worst, Finch heads into cloyingly sentimental territory with unfocused emotional reveals and vague life lessons. Still, it’s a charming diversion even if it journeys across pretty familiar territory. Tom Hanks and robots, you can’t go wrong.
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